Join us for our monthly reading group looking at all things spooky & salty đ đ»
Since 2021 the Haunted Shores Reading Group has been exploring texts centred around oceanic and aquatic spaces. We invite interdisciplinary approaches and explore different textual forms. See more details below and please get in touch at hauntedshoresinfo@gmail.com if you would like to suggest any readings and/or chair a session.

November 2023
EDGAR ALLAN POE
Our next reading group session will be devoted to the works of Edgar Allan Poe!
Our meeting is scheduled for 30th November 2023, at 5 pm UK Time.
Before the meeting, we invite you to take a look at the following texts:
- “MS Found in a Bottle” a short story by Edgar Allan Poe
- “Annabel Lee” a poem by Edgar Allan Poe
- “The City in the Sea” a poem by Edgar Allan Poe
- “Oceanic Studies and the Gothic Deep” an article by Jimmy Packham and David Punter
(Image sourced from Pexels Free Photos)

September 2023
PERFORMING THE SEA
Chaired by Dr Giulia Champion and Roslyn Irving
We warmly welcome you back after the summer break with information on our next reading group session. Our meeting is scheduled for 29th September 2023, at 5 pm UK Time.
For access to the session and documents please join our mailing list or send a note to hauntedshoresinfo@gmail.com.
Before the meeting, we invite you to take a look at the following texts through which the histories of the oceanic space, specifically the triangular trade route, open a discussion on enslavement, racism, identity, and accountability.
- salt. (2018, Faber and Faber) by Selina Thompson, inspired by the playwrightâs journey retracing the Atlantic Slave Trade Route. The play offers a deeply personal engagement with the legacies of enslavement and the violence of European history. Thompson asks her audience âto make a commitment to live, a commitment to the radical space of not moving on, and all that it can openâ by fully acknowledging the weight of this history, the ways it continues to be experienced, symbolically carried in salt.
- For those with a UK institutional login, a recording of salt. can be accessed here: https://learningonscreen.ac.uk/ondemand/index.php/prog/004C1F47?bcast=135516930
- In the Wake: On Blackness and Being (2016, DUP), by Christina Sharpe. To accompany Thompsonâs play, we invite you to read the first chapter of In the Wake. We are interested in how Sharpeâs concept of âthe wakeâ and ‘wake work’ open new conversations around Thompsonâs play.
We welcome suggestions on themes and texts for future sessions, and if you would like to chair a meeting, please reach out!
Roslyn is taking over from Giulia as the administrator for the HS reading group from September, if you would like to discuss your ideas feel free to get in touch! We would like to thank Giulia for her dedication and coordination over the last two years, and she remains a very important part of the team!

JUNE 2023
COMMUNICATION & THE OCEAN SPACE
Chaired by Emma Devlin and Roslyn Irving
“Communication & The Ocean Space”
This month’s theme is communication within, through and around the oceanic space. We will draw upon various textual mediums, emphasising interdisciplinarity and unified by their engagement with communication, acoustics and whales. We would like you to think about the sea as a body which allows vibration, transmits messages, and connects individuals and communities.
- “The King of Seatown” by Emma Devlin is a short story in which the sea is a dynamic and responsive character, filled with knowledge, capable of feeling and deciding things beyond human comprehension.
- “A Voice Above Nature” by Annie Moir, is a short documentary exploring the calls of humpback whales and the consequences of noise pollution. The film invites an encounter with sound to visualise space and the dangers of man-made noise: https://www.youtube.com/watch?v=hZ505SSIkHo.
- “On Water, Salt, Whales, and the Black Atlantics” by Christina Sharpe and Alexis Pauline Gumbs is a series of letters between two black female scholars in which the Atlantic serves as a space to meditate on community, intergenerational exchange, voice, and sensation: https://thefunambulist.net/magazine/the-ocean/on-water-salt-whales-and-the-black-atlantics.
- “Acoustic crypsis in southern right whale motherâcalf pairs: infrequent, low-output calls to avoid predation?” by Nielsen et al.: A scientific paper exploring the acoustics of whales, in which the sea transmits the calls of whale mothers, guiding and reuniting with their calves: https://journals.biologists.com/jeb/article/222/13/jeb190728/2693/Acoustic-crypsis-in-southern-right-whale-mother.
Additional readings – not compulsory for the session, but shared by Emma as sources of inspiration for her work and which open the discussion to other topics:
- Langston Hughes – “Calm Sea” – https://poets.org/poem/sea-calm.
- Herman Melville, Moby-Dick, Chapter 105, “Does the Whale’s Magnitude Diminish – Will He Perish?” – https://americanliterature.com/author/herman-melville/book/moby-dick-or-the-whale/chapter-105-does-the-whales-magnitude-diminish-will-he-perish.
- Richard J. King – “Does the Whale Diminish” – Ahab’s Rolling Sea.
- Eileen A. Joy – “Blue” from Prismatic Ecology.
- Philip Hoare – “The Melancholy Whale” from Leviathan.
- Harry Hobbs and George Williams – “Micronations: A Lacuna in the Law”.
- Marianne Moore – “The Fish” – https://poets.org/poem/fish-1.
- Melody Jue – “Vampire Squid Media”.
- Hugo Hamilton – “The Island of Talking” – Irish Pages: The Sea.
- Margaret Somerville – “Watery Beginnings” from Riverlands of the Anthropocene.

MAY 2023
SHIPWRECK HAUNTOGRAPHY
Chaired by Dr Giulia Champion and with Dr Sara Rich as a guest.
We will be discussing Sara’s brilliant work Shipwreck Hauntography: Underwater Ruins and the Uncanny (2021).
This time around our reading group will take a slightly different format, we invite participants to read the bookâs (1) Preface, (2) Postface and (3) One additional chapter of your choice.
Additionally, youâre welcome to watch Saraâs presentation to our 2023 Haunted Shores Conference which focuses on Chapter 3 of her monograph, available via this Youtube link:
https://www.youtube.com/watch?v=4GLipYYtnuk&ab_channel=HauntedShores.
Optional:
In our Haunted Shores Conference 2022 on Seaweed, Sara shared an introduction to her work and her teaching in relation to it along with incredible projects by her students, if youâd like to find out more about this excellent case of research-led pedagogy, see the conference presentation on our Youtube channel below: https://www.youtube.com/watch?v=DHzri_Tvokg&ab_channel=HauntedShores.
Additionally, people may want to dwell on another recent work of Sara, which is open access, the brilliant co-edited with Peter B. Campbell: Contemporary Philosophy for Maritime Archaeology: Flat Ontologies, Oceanic Thought, and the Anthropocene (2023).

APRIL 2023
GHOST SHIPS
Chaired by Armin Egger
“Ghost Ships”
This session aims to explore the phenomenon of ghost ships from three different angles: 1) The variety of ghost ships that have been the focus of reported sightings over the course of history, including connections to folklore and possible non-supernatural explanations. 2) The different meanings of the term âghost shipâ and the various possible literary interpretations of the theme. Ghost ships can be ships that are found abandoned and aimlessly drifting on the ocean, ghostly apparitions that are (briefly) glimpsed amidst heavy mist and fog, ships with a crew of ghosts, and much more. 3) One specific and particularly influential example of a ghost ship (captain) and its doomed eternal voyage â The Flying Dutchman, a cultural figure of continuing relevance that has received widely divergent interpretations over time and allows the exploration of many – often Gothic – themes.
- Agnes Andeweg âManifestations of The Flying Dutchmanâ.
- Emily Alder âShades of Sailâ.
- The 1821 story âVanderdeckenâs Message Homeâ (https://sites.pitt.edu/~dash/type0777ast.html#blackwood).
- The Youtube video âWhy Have So Many People Seen Ghost Ships?â (https://www.youtube.com/watch?v=YlcRtHpwRi8).
Optional Readings:
- Julia Mix Barrington âPhantom Barkâ.
- Frank Schuster âIn Search Of The Origin of an Antarctic Ghost Shipâ.
- Lecture on Arthur Conan Doyleâs adaptation of the Mary Celeste story (https://www.youtube.com/watch?v=6nOmk2qpBpM)

MARCH 2023
OCEANIC HUMANITIES & DEEP SEA
Chaired by Dr Prema Arasu
“Oceanic Humanities and the Deep Sea”
This session considers the construction of the deep sea in the cultural, historical, and scientific imaginations. Significant advances in deep-sea technology have led to advances in deep-sea biology, ecology, and oceanography. We know that the deepest trenches of the ocean are inhabited by diverse communities of amphipods and snailfish, and are accumulating cables and plastic bags. However, the deep sea continues to be described in terms of its impenetrable mystery. We will discuss how the cultural construction of the deep sea in the popular imagination facilitates or restricts meaningful entanglement with the Other.
- Jamieson et al., âFear and loathing of the deep sea: why donât people care about the deep ocean?â, see here.
- Alaimo, âFeminist Science Studies and Ecocriticism: Aesthetics and Entanglement in the Deep Seaâ, see here.
Optional Readings:
- Jamieson & Onda, âLebensspuren and mĂŒllspuren: Drifting plastic bags alter microtopography of seafloor at full ocean depth (10,000 m, Philippine Trench)â, here.
- Alan Jamieson – “Meet the Mysterious âmonstersâ of the deep”:
- The Deep-Sea Podcast:

FEBRUARY 2023
GOTHIC WATERWAYS OF THE THAMES
Chaired by Nancy Schumann and Roslyn Irving
âGothic Waterways of the Thamesâ
This session explores the deadly potential of the river Thames. Like many waterways, the Thames has its fair share of urban legends and real life tragedy, and we invite you to think about the ways this can be encountered through historical events and fiction. From treacherous tides to lethal turns, the river itself presents all manner of dangers. It becomes a gothic presence for those living, working or traveling along the waterway. In this session, we will have a closer look at the sinking of the Princess Alice in 1878, a real life disaster that stirred peopleâs imaginations due the size of the catastrophe, that has been all but forgotten since. We will also discuss Neil Gaimanâs short story âDown to a Sunless Seaâ, and the haunting memories associated with the Thames. Of course you are also invited to bring any of your own encounters with the Thames, literary or literal, perhaps in fictions such as The Picture of Dorian Gray or Sherlock Holmes, or perhaps having walked its banks!
- Excerpts from the non-fiction work The Princess Alice Disaster by Joan Lock (2013).
- The 11-minute video on the Princess Alice Disaster, available here: https://www.youtube.com/watch?v=_jC_3LmzMY4&ab_channel=OceanlinerDesigns
- This short story by Neil Gaiman in The Guardian entitled âDown to a Sunless Seaâ (2013), available here: https://www.theguardian.com/books/2013/mar/22/down-sunless-sea-neil-gaiman-short-story
Optional Readings:
- Thames Police: History – Princess Alice Disaster, available here: http://www.thamespolicemuseum.org.uk/h_alice_1.html
- Drowning in sewage – The forgotten story of the Princess Alice disaster, available here: https://www.rmg.co.uk/stories/blog/library-archive/drowning-sewage-sinking-princess-alice

JANUARY 2023
TENTACULARITY II
Chaired by H Frances Hallam
âTentacular Feminism in the Oceanâ
This session considers emerging critical work in feminist science studies and its contact zones within the blue humanities to consider ways in which oceanic space, materiality and nonhuman bodies facilitate different kinds of thinking. While we will examine critical texts, this reading group hopes to use these feminist encounters as a starting point to promote alternative ways of approaching ocean space in speculative fictions. We will consider how the ocean and its inhabitants can promote thinking âtentacularlyâ by destabilising knowledge or prompt nonhuman epistemologies, in ways that facilitate Gothic or Science Fictional encounters and estrangements.
- Haraway, D. “Tentacular Thinking: Anthropocene, Capitalocene, Chthulucene” in Staying with the Trouble: Making Kin in the Chthulucene, Duke University Press, 2016.
- Stacy Alaimo “States of Suspension: Trans-corporeality at Sea” ISLE: Interdisciplinary Studies in Literature and the Environment 19.3 (2012): 476-493.
- Astrida Neimanis “Introduction: Figuring Bodies of Water” in Bodies of Water: Posthuman Feminist Phenomenology, Bloomsbury, 2017.
Optional Readings:
- Melody Jue “Introduction: Thinking through Seawater” in Wild Blue Media: Thinking through Seawater, Duke University Press, 2020.
- Eva Hayward “Lessons From a Starfish” in Queering the Non/Human, Noreen Giffney and Myra J. Hird, eds, Ashgate Publishing, Ltd., 2008.
- Heather Swanson, Anna Tsing, Nils Bubandt and Elaine Gan “Introduction: Bodies Tumbled into Bodies” in Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene, University of Minnesota Press, 2017.

DECEMBER 2022
TENTACULARITY I
Chaired by Fredrik Blanc
âThe Entangled Ocean: Tentacularity, Horror, and âThe Promise of Monstersââ
This session of the Haunted Shores Reading Group explores how concepts of tentacularity, trans-corporeality, and entanglement can inform different ways of thinking oceanic horror. In putting into dialogue current ecofeminist theory and blue humanities with the Weird and phenomenologies of horror, this session explores the darker sides of oceanic entanglement and the richness of tentacularity for thinking monstrosity alongside the posthuman, and the thalassophobic within âwet ontologiesâ.
- Sperling, A. “H.P. Lovecraftâs Weird Body”, Rhizomes: Cultural Studies in Emerging Knowledge, (31), available at http://www.rhizomes.net/issue31/sperling.html.
- Thacker, E. “Naturhorror and the Weird” in Spaces and Fictions of The Weird and The Fantastic: Ecologies, Geographies, Oddities, Julius Greve and Florian Zappe, eds. Palgrave Macmillan, 2019.
- Luckhurst, R. “The Weird: A Dis/orientation” Textual Practice, 31(6) 1041â1061.
- Haraway, D. “Tentacular Thinking: Anthropocene, Capitalocene, Chthulucene” in Staying with the Trouble: Making Kin in the Chthulucene, Duke University Press, 2016.
Optional Readings:
- Mathieson, J. “The Oceanic Weird, Wet Ontologies and Hydro-Criticism in China MiĂ©villeâs The Scar” in Spaces and Fictions of The Weird and The Fantastic: Ecologies, Geographies, Oddities, Julius Greve and Florian Zappe, eds. Palgrave Macmillan, 2019.
- Trigg, D. The Thing: A Phenomenology of Horror, Zero Books, 2014, available at https://www.google.co.uk/books/edition/The_Thing/HBLtBAAAQBAJ?hl=en&gbpv=1&printsec=frontcover.
- Tuana, N. âViscous Porosity: Witnessing Katrinaâ (2008) in Material feminisms, available at https://www.academia.edu/12103511/Viscous_Porosity_Witnessing_Katrina.
- DeLoughrey, E. “Kinship in the Abyss: Submerging with The Deep” Atlantic Studies, 1â13.
- Deckard, S. and Oloff, K. “‘The One Who Comes from the Sea’: Marine Crisis and the New Oceanic Weird in Rita Indianaâs La Mucama de OmicunlĂ© (2015)”, Humanities, 9(3) 86.

NOVEMBER 2022 – UCU STRIKE SOLIDARITY đȘ§â

OCTOBER 2022
SEA MONSTERS
The run up to Halloween offers the perfect moment to consider Sea âMonstersâ, the ways monstrosity is imagined, and fears of aquatic depths and what the sea might conceal.
Trigger warning: some of the texts and videos below may contain gory details, blood, death, frightening scenes.
- Wells, H.G. (1896) “The Sea Raiders”, in Our Haunted Shores: Tales from the Coasts of the British Isles, edited by Emily Alder, Jimmy Packham and Joan Passey, The British Library: Tales of the Weird, 2022.
- Foster, E.M. (1920) The Story of the Siren, accessible from https://www.gutenberg.org/files/58581/58581-h/58581-h.htm.
- Verbinski, Gore (2006) The Pirates of the Caribbean: Dead Manâs Chest, [Trailer], Walt Disney Studios, accessible from: https://www.youtube.com/watch?v=6-NGPgX-uYA.
- Spielberg, Steven (1975) Jaws, [Clip] Universal Pictures, accessible from: https://www.youtube.com/watch?v=u1c_E-LuSxs.
- Newell, Mike (2005) âThe Second Taskâ, Harry Potter and the Goblet of Fire, [Clip] Warner Bros. Pictures, accessible from: https://www.youtube.com/watch?v=q-5W8dYhqw0; https://www.youtube.com/watch?v=K-tLdA55c3k.
- Eubank, William (2020) Underwater, [Trailer], 20th Century Studios, accessible from: https://www.youtube.com/watch?v=jCFWEzIVILc.
- Contesi, Filippo (2022), “The Affective Nature of Horror”, in Cultural Approaches to Disgust and the Visceral, edited by Max RyynĂ€nen, Heidi Kosonen and Susanne Ylönen, Routledge, pp. 31-43.

SEPTEMBER 2022
BEACHES, COAST & GOTHIC IN AUSTRALIA AND THE OCEANIC SOUTH
Chaired by Drs Allison Craven & Diana Sandars
Three scholarly essays include two on Australian beach/coast horror/gothic, one by Mark Ryan & Liz Ellison, and the other by Lynda Hawryluk, and one on âCoastal Formâ by Meg Samuelson, and a piece from The Conversation (âLiterature Sheds LightâŠâ) by Charne Lavery and Samuelson about their coinage of the term the âoceanic southâ. In addition, there are some very short clips from films discussed by Ryan and Ellison. Weâll explain in the session that the film content is generally aligned with whatâs known as âAustralian Gothicâ but the overall perspective of our anthology goes wider to the âoceanic southâ. The term âoceanic southâ, as mentioned, is the coinage of Charne Lavery and Meg Samuelson and their piece below explains the derivation as well as containing a link to their journal article for optional further reading. Meg Samuelâs âCoastal Formâ (which also informs our project) describes the porosity of littoral/coast and develops the idea of âamphibian positionsâ with reference to South African fictions.
Thereâs an optional extra essay attached (Hawrylukâs âExploring Australian Coastal Gothicâ) for background to âSurfing with Shiversâ. âExploring Australian Coastal Gothicâ appeared in the same book as Ryan and Ellisonâs âBeaches in Australian Horror Filmsâ and covers similar material, although Hawryluk discusses literature and film and attends more to the way Australian coastal gothic poetics align with traditional gothic motifs. Weâve set her âSurfing with Shiversâ this time for its focus on the (as it were ârealâ) shark menace in New South Wales, and its resonance with gothic tropes about hostile nature in Australian films and literature.
- Ryan, Mark David and Elizabeth Ellison. 2020. âBeaches in Australian Horror Films: Sites of Fear and Retreat.â In Writing the Australian Beach: Local Site, Global Idea. Springer International, pp. 125-141.
- Hawryluk, Lynda. 2021. âSurfing with Shivers: The Gothic Far North Coast in Poetry.â In Nigel Krauth, Sally Breen, Tim Baker and Jake Sandtner (Eds.) Creative writing and surfing. TEXT Special Issue 65. https://doi.org/10.52086/001c.28067.
- Lavery, Charne and Samuelson, Meg. 2019. âLiterature sheds light on the history and mystery of the Southern Ocean.â The Conversation. 6 October, 2019. https://theconversation.com/literature-sheds-light-on-the-history-and-mystery-of-the-southern-ocean-122664 (This article in The Conversation outlines Lavery and Samuelsonâs idea of the âoceanic southâ and includes a link to their extended refereed journal article about it, optional for those who wish to read more).
- Samuelson, Meg. 2017. âCoastal Form: Amphibian Positions, Wider Worlds, and Planetary Horizons on the African IndianOcean Littoral.â Comparative Literature, vol. 69, no. 1, pp. 16-24.
Optional Reading:
- Hawryluk, Lynda. 2020. âExploring Australian Coastal Gothic: Poetry and Place.â In Writing the Australian Beach: Local Site, Global Idea. Springer International, pp. 91-107. (This essay is referenced in Hawrylukâs âSurfing with Shiversâ)
Optional related short film clips re Ryan and Ellison, and Hawryluk essays:
- Long Weekend (d. Colin Eggleston 1978):
- Official trailer https://www.youtube.com/watch?v=fPeXQZ6irUk
- Excerpt âThe Dugong Wonât Dieâ plus curatorâs notes and synopsis https://www.nfsa.gov.au/collection/curated/long-weekend-dugong-wont-die
- Optional: full movie on youtube Grindhouse Classics: https://www.youtube.com/watch?v=6B4jGS0vbE8 (1hr 38 mins)
- The Last Wave (d. Peter Weir 1977):
- Trailer https://www.youtube.com/watch?v=XKvuUDBHipE
- Curatorâs notes from the National Film and Sound Archive: https://aso.gov.au/titles/features/the-last-wave/

AUGUST 2022
GOTHIC TOURISM & THE BRITISH SEA-SIDE RESORT
Chaired by Dr Madeline Potter
- Read Chapter 13 of A.S. Byattâs Possession.
- Read Silvia Granataâs ââLet us hasten to the beachâ Victorian Tourism and Seaside Collectingâ.
- Read Sarah Ditumâs piece in The Guardian: https://www.theguardian.com/commentisfree/2019/aug/17/i-do-like-to-be-beside-the-seaside-many-of-our-coastal-towns-need-more-love
- Watch âWhitby Gothic Styleâ the Whitby Goth Festival parody of Gangnam Style: https://www.youtube.com/watch?v=S_NqVd5Wqv0
Optional Reading:
- Check out this exhibition at the Atkinson Museum, organised by Michelle Cashin, an MA student at Edge Hill University: https://www.theatkinson.co.uk/exhibition/southport-victorian-visitors/
- Read John Urryâs chapter âMass Tourism and the Rise and Fall of the of the Seaside Resortâ (from The Tourist Gaze) https://www.uvm.edu/rsenr/rm230/Urry%20Chap.2.PDF

JUNE 2022
The Aquatic Hybrid
Chaired by Fredrik Blanc
- Helen Rozwadowskiâs article ââBringing Humanity Full Circle Back into the Seaâ: Homo aquaticus, Evolution, and the Oceanâ in Environmental Humanities, 14(1) pp. 1â28, 2022. Open access online here: https://read.dukeupress.edu/environmental-humanities/article/14/1/1/294334/Bringing-Humanity-Full-Circle-Back-into-the-Sea?searchresult=1
- L.D. Mattson and Jeremy Gordonâs article âBecoming Mutant: Metamorphoses for a Waterworldâ in Environmental Humanities, 14(1) pp. 29â48, 2022. Open access online: https://read.dukeupress.edu/environmental-humanities/article/14/1/29/294313/Becoming-MutantMetamorphoses-for-a-Waterworld
- A short Extract from China MiĂ©villeâs novel The Scar (Macmillan, 2002).
- The song âThe Deepâ by clipping. available on Youtube here: https://www.youtube.com/watch?v=zT1ujfuXFVo
Optional Readings:
- Mira Grantâs novel Rolling in the Deep, 2015.
- Solomon, R. and Diggs, D., Hutson, William, Snipes, Jonathanâs novel The Deep, 2020.
- Cristina Bacchilega and Marie Alohalani Brown (eds.) âIntroductionâ in The Penguin Book of Mermaids, 2019.

MAY 2022
SEAWEED
Chaired by Dr Giulia Champion
In May, we focus on the theme of Seaweed in relation to the Haunted Shores Network 2022 Conference on the same theme, consider joining us on Friday 20th May for the online conference, which promises to be extremely exciting. See more details about the conference here: https://haunted-shores.com/haunted-shores-2022-seaweed/, everyone is welcome and registration is free but mandatory.
- Please read Melody Jueâs chapter âThe Media of Seaweed: Between Kelp Forest and Archiveâ in Saturation: An Elemental Politics (ed by Melody Jue and Rafico Ruiz, De Gruyter, 2021).
- Please read Anthony Trollopeâs short story âMalachiâs Coveâ (1864), available online here: http://victorian-studies.net/love-stories-trollope.pdf
- If possible and available to you, please watch the first episode of the 2019 TV adaptation of the DC Comic Graphic Novel The Swamp Thing, available on Amazon Prime UK or on Youtube. (This may be available on different streaming services depending on your location).
Optional reading:
If you can please read the introduction (10 pages) of Elizabeth Parkerâs book The Forest and the EcoGothic: The Deep Dark Woods in the Popular Imagination (Palgrave Macmillan, 2020) thinking about how issues of EcoGothic and the depiction of the Wood can be translated to âunderwater forestsâ such as Kelp Forest or bodies of seaweed including the sargassum weed in the Caribbean sea for instance.

APRIL 2022
CRIME & THE NAUTICAL GOTHIC
Chaired by Dr Dorka TamĂĄs
In April, we continue our journey focusing on the theme of âCrime and the Nautical Gothicâ, considering cultural productions engaging with Pirates and Maritime Criminality.
- Please watch the following clips from the TV Series Ozark, available on Netflix https://www.netflix.com/search?q=ozark&jbv=80117552:
- Drug dealing and the lake: Season 1 Episode 5 from 50:00 until the end (approximately 3 minutes)
- Murder on the lake: Season 1 Episode 9 from 47:20 to 51:00
- Corruption and violence on the lake: Season 3 Episode 1 from 6:00 to 7:30 and 53:15 to 54:20
- Please Read âThe Florida Pirateâ (1821) by John Howison, available online: https://digitalcommons.usf.edu/cgi/viewcontent.cgi?article=1046&context=early_visions_bucket – TRIGGER WARNING: Please note that this text contains graphic descriptions and violent language.
- Please Check out the Interpol website on Maritime crime available here: https://www.interpol.int/Crimes/Maritime-crime/The-issues.
- Please look at a video clip from Peter Pan (1953): âA Pirate’s Life & The Elegant Captain Hookâ, available here on Youtube here: https://www.youtube.com/watch?v=pBFy2fQpHzg&t=16s.
Optional Reading:
If you have more time, please consider reading âJohn Howisonâs New Gothic Nationalism and Transatlantic Exchangeâ (2008) by Gretchen Woertendyke.

MARCH 2022
THE SEA AS A HEALING SPACE
Chaired by Roslyn Irving
In March, we will continue our coastal exploration with a session on âThe Sea as a Healing Spaceâ. This will draw on Ann Radcliffeâs The Romance of the Forest, a 19th-century archival text, an interdisciplinary publication on how nature is âprescribedâ, and reflections on the exchange between the health of the oceans and medicines. Our aim is to consider why the coast becomes a remedial space, and how this connection between the sea, health, life, and death is inherently gothic.
- Extracts from the third volume of Ann Radcliffeâs The Romance of the Forest.
- A short extract from Charterisâ Guide to Health and the Coast.
- Bell, S.L., Leyshon, C., Foley, R., and Kearns, R.A. article entitled âThe âhealthy doseâ of nature: A cautionary tale.â Geography Compass. 2019; 13:e12415. This can be downloaded here: https://doi.org/10.1111/gec3.12415.
- Please also watch this short video if you have the time: https://www.youtube.com/watch?v=7f603V2hnug.

FEBRUARY 2022
GLOBAL COASTAL GOTHIC
Chaired by Alannah Hernandez
In February, we begin our journey focusing on the theme of âGlobal Coastal Gothicâ, considering cultural productions from Ireland and the Caribbean and Emily Alderâs âThrough Oceans Darkly: Sea Literature and the Nautical Gothicâ (2017). Our aim is to consider transatlantic hauntings and labour as well as shared colonial histories.
- Please read Emily Alderâs article âThrough Oceans Darkly: Sea Literature and the Nautical Gothicâ (2017), available here: https://www.napier.ac.uk/~/media/worktribe/output-1000395/through-oceans-darkly-sea-literature-and-the-nautical-gothic.pdf.
- Derek Walcottâs poems âThe Sea is Historyâ (1979) and âThe Schooner Flightâ (1979).
- If you can, please watch the movie Sea Fever (2019). More information here: https://www.imdb.com/title/tt2716382/.

NOVEMBER 2021
CORNISH GOTHIC
Following the October meeting on Dracula, we will continue our discussion on shipwrecks and coastal gothic, but move south for a session on Cornish Coastal Gothic. In this session, we will read an excerpt from Dr Joan Passeyâs doctoral chapter to be published in her forthcoming monograph Cornish Gothic, 1840-1913 with University of Wales Press, a tale she curated and edited for the Cornish Horrors: Tales from the Landâs End collection with the British Libraryâs âTales of the Weirdâ series, and a song. All these texts intersect around themes of the coastal gothic, shipwrecks, sailors and fishermen, as well as the tourism industry in Cornwall.
- Please read the excerpt from Dr Joan Passeyâs Chapter: ââLet us catch the sea-wolves falling on their preyâ: Folklore, National Identity, and the Gothic in Cornish Shipwreck Narratives.
- Please read the introduction and E. M. Brayâs tale âA Ghostly Visitation: A True Incidentâ from the Cornish Horrors: Tales from the Landâs End collection.
- Finally, please listen to the group âFishermanâs Friendsâ song âWidow Womanâ on youtube: https://www.youtube.com/watch?v=7zc1ijbM4a0&ab_channel=SueHendriks
The video provides some background on the song and you can find more details in this article: https://elementsofmadness.com/2020/07/23/fishermans-friends/ and the lyrics here: https://genius.com/Fishermans-friends-widow-woman-lyrics.

October 2021
Dracula Shipwreck
Chaired by Dr Madeline Potter
In October we will continue our coastal adventure with a discussion on Dracula Shipwreck. When Dracula arrives in Whitby, he does so on board the Demeter. In a haunting scene, the ship drifts into Whitby Harbour: an apparent ghost ship, with a dead captain, fastened to the wheel, with a look of horror eternally struck on his face. Why have we chosen this iconic scene? We think itâs shaped our Gothic imagination, setting the paths for many explorations of the relationship between the sea as an uncanny space and the vampire as an uncanny creature. We also believe it is so jarring because it taps into some very fundamental human fears, which we will explore during our group. Finally, it is one of the scenes which has made Gothic tourism in Whitby so popular, showing us how literature has the potential to impact the world we live in.
- Chapter VII of Bram Stokerâs Dracula: the novel is accessible for free on Project Gutenberg: https://www.gutenberg.org/files/345/345-h/345-h.htm.
- Watch the Nosferatu death ship scene: https://www.youtube.com/watch?v=T5IgS56arSo.
- If people have access to the 1931 Bela Lugosi adaptation of Dracula, watch the section between 18:14 and 21:23 (I think timings might vary slightly, but itâs basically from when âAboard the Vesta — bound for Englandâ comes on screen, up to the newspaper clipping âLate London Editionâ); This can be shown during the reading group if people struggled to access it.
- If you have Netflix, it would be interesting to watch the beginning of Dracula (BBC, 2020), Season 1, Ep. 3, from 2:04 to 9:31.
- Read Emily Alderâs essay âDraculaâs Ghost Shipâ, available here: https://irishgothichorror.files.wordpress.com/2017/08/issue15-emilyalder-draculasgothicship.pdf.
- While this is yet to be released, take a look at this adaptation which is currently in production: https://www.imdb.com/title/tt1001520/.
- See also the illustration by John Coulthart of Dracula portraying the Demeter as it approaches Whitby Harbour to consider alongside the readings.