Creative Endeavours A song of the sea – by Bogdan Groza by hauntedshores2020 Posted on 25th May 20238th July 2024
Blog A Brief Postcolonial and EcoGothic Analysis of Avatar The Way of Water (2022) and Black Panther Wakanda Forever (2022) – by Jesse Bair by hauntedshores2020 Posted on 18th May 20238th July 2024
Reviews Sabrina Imbler’s How Far the Light Reaches: A Life in Ten Sea Creatures: A Review – by Nicole Emanuel by hauntedshores2020 Posted on 12th May 20238th July 2024
Blog ‘She died May 28th, 1849’: Anne Brontë and the Ghost of Literary Tourism – by Matthew Gurteen by hauntedshores2020 Posted on 3rd May 20238th July 2024
Blog Godless, Dangerous…Homoerotic?: Tragic Shipwrecks and ‘Liquid Waists’ in GM Hopkins’s Poetry — by Tyler Clark by hauntedshores2020 Posted on 26th April 20238th July 2024
Reviews A debut for a grown boy… – by Camila Lourenço Panhoca and Pedro Panhoca da Silva by hauntedshores2020 Posted on 19th April 20238th July 2024
Creative Endeavours Seaweed on the Rocks: a Poem and a Reflection – by Martin Potter by hauntedshores2020 Posted on 12th April 20238th July 2024
Blog “Hen Nights in Innsmouth” – Media Narratives and Counter-Narratives of Blackpool – by Alexander Hay by hauntedshores2020 Posted on 5th April 20238th July 2024
Blog Ontariorizing and Taiwanizing the Rust Belt: Flight or Fall – by Sheng-mei Ma by hauntedshores2020 Posted on 28th March 20238th July 2024
Blog Orienting Scottish Coastal Gothic by hauntedshores2020 Posted on 16th February 20235th June 2025
