Uncategorized A Brief Postcolonial and EcoGothic Analysis of Avatar The Way of Water (2022) and Black Panther Wakanda Forever (2022) – by Jesse Bair by hauntedshores2020 Posted on 18th May 2023
Uncategorized Sabrina Imbler’s How Far the Light Reaches: A Life in Ten Sea Creatures: A Review – by Nicole Emanuel by hauntedshores2020 Posted on 12th May 2023
Uncategorized ‘She died May 28th, 1849’: Anne Brontë and the Ghost of Literary Tourism – by Matthew Gurteen by hauntedshores2020 Posted on 3rd May 20233rd May 2023
Uncategorized Godless, Dangerous…Homoerotic?: Tragic Shipwrecks and ‘Liquid Waists’ in GM Hopkins’s Poetry — by Tyler Clark by hauntedshores2020 Posted on 26th April 202326th April 2023
Uncategorized A debut for a grown boy… – by Camila Lourenço Panhoca and Pedro Panhoca da Silva by hauntedshores2020 Posted on 19th April 202319th April 2023
Uncategorized Seaweed on the Rocks: a Poem and a Reflection – by Martin Potter by hauntedshores2020 Posted on 12th April 202317th April 2023
Uncategorized “Hen Nights in Innsmouth” – Media Narratives and Counter-Narratives of Blackpool – by Alexander Hay by hauntedshores2020 Posted on 5th April 202317th April 2023
Uncategorized Ontariorizing and Taiwanizing the Rust Belt: Flight or Fall – by Sheng-mei Ma by hauntedshores2020 Posted on 28th March 202317th April 2023
Scottish Schores Orienting Scottish Coastal Gothic by hauntedshores2020 Posted on 16th February 202316th February 2023
About Introducing the Team: Dr Giulia Champion by hauntedshores2020 Posted on 23rd July 202123rd July 2021
